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September 14th, 2017

Who Fears Death Finds Its Scriptwriter

We've found our scriptwriter for WHO FEARS DEATH, the television series we're developing for HBO based on the award-winning novel by Nnedi Okorafor.

His name is SELWYN SEYFU HINDS. He's written television, film, comics, journalism, history. He's a producer as well, and will be a co-executive producer on WHO FEARS DEATH, as well as writing the pilot. We're very excited to have him aboard... and to finally be able to announce it, now that his deal has closed (these things take a while).





You can find out more about him on IMDB, or hear him speak (though not about WHO FEARS DEATH, not yet) here: http://www.blackisonline.com/2015/02/the-jam-ep-15-w-selwyn-seyfu-hinds/

It was not an easy selection. We considered dozens of terrific writers, finally winnowed it down to half a dozen strong finalists, and interviewed each of them at length. I was not able to be in LA for the interviews myself, thoughI took part by phone... but executive producers Michael Lombardo and Angela Mancuso, our development executives from HBO, and of course Nnedi Okorafor were all in the room for every interview. All of us loved what Selwyn had to say about WHO FEARS DEATH, and how he would like to bring it to the screen. It's a powerful book, but not an easy adaptation by any means... but we think we've found the right writer for the assignment.

I was also pleased to see Michael Lombardo and Angela Mancuso finally credited in the news stories about Selwyn and WHO FEARS DEATH, since the last round of stories made it sound as if I was doing it all by myself. Even now, though, some of these stories are getting it backwards, talking about how I "added" Lombardo and Mancuso. Ah, no... rather, they (and Nnedi) added me. This was their project from the start, I'm the new guy in the boat. But I'm thrilled to be here, and I'm excited to be working with Michael, Angela, Nnedi, and now Selwyn. We all share the same goal: to make this extraordinary novel into an extraordinary television series.



((I will leave comments open, but only for discussion of WHO FEARS DEATH. All off topic comments will be deleted)).

Another Sadness

I've been trying for several days to write something about the death of Len Wein.

It's been hard. The words stick in my throat. Len was not just a professional colleague, as Jerry Pournelle was. Len was a friend. An old, dear friend. He lived in LA and I lived in Santa Fe, so we never saw each other more than a few times a year, but I cherished all the time I spent with him and his wife, Chris Valada. I don't have a bad memory of Len, and I doubt that anyone does. He was a sweet, kind, funny man, and a joy to be around, to share a meal with (even though he always refused to "eat anything that looked like itself").

Len and I went way way back. We were both there when comics fandom was being born, and we met for the first time in a place called the Workingman's Circle, at the 1964 New York Comicon. The first comicon... and Len Wein was one of the kids who made it happen, one of the organizers, while I was the first fan to send in $1.50 for a membership. We were both in high school at the time. Many years later, at a San Diego Comicon with its 150,000 members, I turned to Len and sad, "See what you did?" He just laughed and replied, "Who knew?"

You don't need me to tell you about his career, his professional accomplishments, his creations. If you don't know who Len Wein is, you've never read a comic book. He created Wolverine, the New X-Men, Swamp Thing, the Human Target, Lucius Fox, and, oh, about five hundred other characters. Maybe a thousand. Most of those were created under the old work-made-for-hire contracts so common in the comics industry when Len stared out, so he had no ownership of any of them, and made very little, if anything, from all the movies and TV shows that featured them. (Lucius Fox was the exception to that, since he was created later, under a contract that gave the creator more rights, In one of the little ironies of life in the comics biz, Len made more money from Lucius Fox than he ever saw from Wolverine). If it had been me, it would have made me incredibly bitter to see my creations making billions while I got some loose change, but Len never bitched about it. He knew the rules when he signed the contracts, he would always say. And he loved seeing his creations on the big and little screens. There was no bitterness in the man, and no anger that I ever saw.

He loved comics, and he loved life, and I'm just one of the many who loved him.

((Comments allowed, but only about Len)).

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