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Sibel Speaks Out

I've blogged here a couple of times about my friend Sibel Kekilli, who played Shae on GAME OF THRONES. Sibel is bright and beautiful, a joy to work with, and she made a great Shae. I've said more than once that it was probably a good thing the character was already dead before I met Sibel, or I might never have had the heart to kill her. ((Show Shae, thanks to David and Dan and Sibel, was actually a much different and more interesting character than Book Shae, I blush to admit))



Last winter, Sibel visited Santa Fe and I showed her the town, and a television crew from the German travel show AFTER DARK filmed our adventures. More recently, I visited Hamburg, Sibel's home town, and she returned the favor (without the TV crew). I blogged about that below.

There's a lot more to Sibel Kekilli than just Shae, though. She has twice won the Lola for Best Actress, the German Oscar, for roles in feature films, she is presently one of the stars of the long-running German police procedural TATORT... and she has long been politically active, speaking out on controversial subjects, most notably the treatment of women in traditional Islamic culture.

Recently she was invited to the German "White House," where she addressed that subject once again in a speech before Joachim Gauck, the president of Germany.

You can read an English translation of her remarks here:

http://sibelkekilli.com/wp-content/uploads/2015/03/faz_932015_EN.pdf

Sibel was speaking as an ambassador for Terre Des Femmes, a Hamburg-based non-profit organization dedicated to fighting violence against women, forced marriage, female genital mutilation, trafficking, forced prostitution, and "honor" killings. If any of you would like to supprt Terre Des Femmes in their work, you can make contributions via their website at: https://www.frauenrechte.de/online/index.php/home-engl

Some of the things that Sibel and Terre Des Femmes fight against are dramatized in A SONG OF ICE AND FIRE... but, sadly, they are not just fantasy, but real problems in the "enlightened" modern world we live in. I applaud Sibel for her courage in speaking out against them... her words have come at great personal cost, I know, and made her a lot of enemies... but as someone wiser than me once said, all that in necessary for evil to triumph in this world is for good men (and women) to say nothing.

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msconduct
Jul. 15th, 2015 04:04 am (UTC)
I couldn't agree more with Sibel, and I applaud her courage in saying it. It's sad that speaking about the oppression of women needs courage, but these days it does, and she has my total admiration. Thank you for drawing my attention to Terre Des Femmes, an organisation I will be glad to support.

Some of the things that Sibel and Terre Des Femmes fight against are dramatized in A SONG OF ICE AND FIRE... but, sadly, they are not just fantasy, but real problems in the "enlightened" modern world we live in.

Pree-cisely. (I feel a soapbox moment approaching...) As a lifelong feminist, I have always been mystified by criticism of ASOIAF on the grounds that it contains material about sexual violence and the like, because to me those are valuable feminist elements in the works. They powerfully illustrate the oppression of women in general and also the ridiculousness of the concept of war as a clean process in which women remain untouched noncombatants.

And I also very much appreciate the feminist approach to drawing the female characters. Just as with the male characters, there are a range of women, all with their own approaches to life. Women in a fantasy novel being fully realised humans, rather than adjuncts to men, seems a low bar to set, and yet in so many fantasy novels that bar is never passed. I particularly enjoy the contrast between Arya and Sansa. Arya at first glance looks like the type of female character who has become a bit of a cliché in fantasy, the tomboy who shrugs off the usual strictures placed on women, but I love the way that cliché is subverted by the toll it takes on her, making her darker and more damaged with every step along the road. In contrast, Sansa is at first glance a cliché of femininity, but again that is swiftly subverted and I love the way her initial naivete evolves. Sansa's weapons are very different from Arya's: she's armoured by her courtesy and diplomacy and by her intelligence. Yet she is no less effective than Arya. Thank you so much for all of that.


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